“It is truly the New York Philharmonic and Alan rethinking how they work,” Mr. Hampson, Matthias Pintscher’s Songs from Solomon’s Garden. The latter concert, part of CONTACT!, the orchestra’s new music series, will feature the world premiere of a Philharmonic commission written especially for Mr. In addition to the Traviata, which runs through April 24, he is finishing his season as the first-ever New York Philharmonic Artist-in-Residence with recitals at Alice Tully Hall on April 11, featuring Schumann’s Dichterliebe and Barber songs, and Symphony Space on April 16. Hampson will be spending a lot of time in the area this month. We were at his favorite diner, the Olympic Flame at 60th and Amsterdam, around the corner from the apartment he rents and, conveniently, a few blocks from Lincoln Center. Hampson, fueled by periodic coffee refills, seemed like he would have been delighted to talk all afternoon. In order to provide you with ads that are more relevant to your interests and genre preferences, we use cookies on our website to target Google and Facebook ads, and we collect retargeting metrics (such as click-through metrics, data collected to provide personalised recommendations based on pages previously visited and the preferences set there).If it were not for a rehearsal at the Metropolitan Opera, where he is singing Germont in La Traviata, Mr. These cookies collect and store anonymous information about how visitors use our website, which is necessary for the statistical analysis of the site so that we can improve the functionality of our website and the user experience during browsing (Google Analytics measurements).
Therefore, by visiting this website, you consent to the use of these cookies. For more information, please see the Privacy Policy.Ĭookies needed for the basic functioning of the site, without which the website or parts of it cannot be displayed, browsing is hindered, tickets cannot be added to the shopping cart, and bank payments cannot be processed properly. If you return to our website, your browser will send the cookie back to our server and make it possible to create a connection between individual sessions. The concert will be preceded from 6.30 pm by a conversation entitled Prelude, where ticket holders will be invited to get to know the performing musician and the works to be performed more closely.Ī cookie is a small packet of data that our server sends to your browser to provide you with a personalised and high-quality service. Particularly popular is their RESOUND programme, in which they perform works at the original venues of their premiere, on instruments used at the time. Using period instruments, they play a repertoire that extends from the Baroque to Romanticism, and includes not only well-known masterpieces but unknown gems and rarely performed works as well.
Along with numerous seldom-heard compositions, it will now be on the programme of the concert of Thomas Hampson, who is known as one of the most inspired interpreters of Liszt’s lieder, Martin Haselböck and his Orchester Wiener Akademie.įounded by Martin Haselböck in 1985, the orchestra soon gained international recognition with concert programmes that threw a new light on various historical ages. The last piece the old Liszt worked on in the summer of 1886 was an orchestral arrangement of a song (Die Vätergruft) he wrote at a young age.
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